You’ve spent your time at Abbey Road Institute working hard and immersing yourself in all of the learning and experiences on offer, what next?
Ambitious and motivated, our alumni are establishing themselves in the next stages of their careers in the music industry and beyond. They’re working as producers and engineers to undertaking internships and much more. The opportunities are broad, from working in studios, for a range of businesses and startups in the music and cultural sectors to setting up their own initiatives and working freelance, juggling lots of exciting and demanding projects.
We’re very proud of our graduates from Abbey Road Institute London. Since our first cohort entered the industry in 2016 we’ve been following their journeys and achievements closely. From roles at well known studios such as SARM, Abbey Road, Baltic and Dean Street to freelance work, live events, post production and more. Here you can see a range of alumni who are contributing to the future of the music industry and carving their own way with confidence.
Since graduating in 2018 Ramera Abraham was selected as one of 3 worldwide recipients of the EQL Studio Residency, a programme for female music producers and sound engineers (in partnership with Berklee College of Music). In this role Ramera worked as the sound engineer for the Spotify Secret Genius Studio that operates out of Metropolis Studios. In addition to producing and engineering, she is also an active drummer and songwriter and part of a songwriting and production duo with fellow alumnus, Antonio Esposito. While at Spotify, Ramera engineered sessions for various producers and songwriters like Sigma, 1Mind (French Montana, Wiz Khalifa), Linnea Södahl (Zara Larsson), Mr. Hudson, and JP Cooper. Upon completion of her role at Spotify, Ramera is now freelance sound engineer and vocal producer and has run recording sessions with Greyson Chance, Gabriele Aplin, and Not3s, and AJ Tracey. She’s also been back at Abbey Road in 2019 assisting on sessions with CHIC artists Jerry Barnes and Ralph Rolle.
Following an internship at Australia’s largest recording studio Studios 301, Becky Arnold took up an assistant engineer position at Dean Street Studios in Soho London. Becky’s role is varied; from assisting with setting up sessions, patching outboard gear and operating pro-tools to building baffles and making shelves for microphones. “I would love to progress into running sessions myself as an engineer, and also mixing tracks that are recorded there. The atmosphere of the studio is so great, I’m very glad I got the opportunity to be a part of their team and I’m looking forward to my future there.” Becky has also recently launched the company Amplifindr for which she is raising funds on Kickstarter. Amplifindr is an online studio rental portal for emerging producers, engineers, and artists. Becky hopes to ‘make music more accessible for young and amateur creatives since commercial studios are usually too expensive for people getting started in the business.’ In her own time, Becky is busy developing her artist profile under the name of Violet Beck and planning to release an EP.
After finishing his studies in London Chris Cook now works for British microphone experts Sontronics as a product specialist and education manager. His role includes building microphones at their Dorset factory while working on new designs and innovations. As a saxophonist, Chris has had the opportunity to perform at the Royal Albert Hall and Swanage Jazz Festival as part of the Dorset Music Service. With a degree in Music from Brunel University under his belt, Chris went on to enrol as one of the first cohort of students at Abbey Road Institute. Since studying with us, he has also produced two classical sessions in Abbey Road’s Studio Two alongside engineer John Dunkerley. He has also worked with Raz Olsher at Fossil Studios. Chris is currently in the process of building a recording studio in Dorset – keeping him very busy.
Since graduating in London, Andrea Mastroiacovo now works as the in-house assistant engineer at Baltic Studios, collaborating with world-class songwriters, artist, producers and engineers. He has recently worked with James Bay, Paloma Faith, Ama Lou, and assisted Andy Taylor (Duran Duran, Rod Stewart) and Billy Halliday (Adele, U2, Frank Ocean, James Blake). The main responsibilities of his role include both technical and creative skills. Andrea ensures that all the equipment in the studio is in full working order and assists on sessions, helping producers, engineers and musicians in capturing the sound they are looking for. Andrea’s goals for the near future are to become a full in-house engineer at Baltic and to start producing bands and artists of his own.
Following his graduation from our London school Dominic Parry has been working as a full-time apprentice at leading audio equipment rental company Britannia Row Productions. Founded by Pink Floyd, Britannia Row has grown to become a global leader providing equipment for the London Olympics, Foo Fighters, Mumford & Sons and The Cure‘s tour. Dominic assisted in the 2019 Brit Awards as a stage technician for numerous performing acts including James Bay, Calvin Harris, Hugh Jackman, and P!NK. He has additionally worked on Andrea Bocelli’s world tour and the MTV European Music Awards. Dominic’s apprenticeship scheme at Britannia Row Productions continued on his training from ARI. He worked for several months in each of the companies departments (Maintenance, Speakers, Cables, Rigging, RF, Digital, Warehouse Manager Assistant & Prep) whilst sitting two 15 week training courses; Live Sound fundamentals and Live Sound Intermediate. Alongside his day work he has worked on gigs at The Roundhouse and the centennial WW1 memorial service.
Gabriëlle Stok now works as an assistant engineer at the West-London studio SARM, which was established by Chris Blackwell, the founder of Island Records. Since starting at SARM Gabrielle has been working on many sessions with both established and up and coming artists. Outside of her work there she also producing her own music to pitch to artists. Some of her highlights so far at SARM include working with American producer Jeff Bhasker (Kanye West, Jay Z, Mark Ronson), engineering during his writing sessions. Engineering has been her main focus since graduation, and Gabrielle also plans to maintain both work in production and songwriting as part of her future career plans.
You can find out more about Gabrielle’s experience at SARM in her interview on our blog.
The curriculum is fantastic, extremely comprehensive, contemporary and relevant to today’s industry.
Applying for the diploma was the best thing I could have done for my career. I'm really amazed at how much I learnt in one year.
There is some real visionary foresight in Abbey Road Institute being established to preserve the cultural legacy of Abbey Road.
I had an incredible experience. The staff have so much to offer and cover so many different areas of music.
The course taught me what it means to be a producer and engineer in the industry, I learned things I couldn’t have learned anywhere else.
It’s a unique experience in so many ways, the location, the calibre of guest lecturers and access to Abbey Road Studios for classes is pretty amazing. There aren't many places you get to record a full orchestra!
Come with an open mind and a voracious appetite to soak up the magic! Be prepared to work hard - you’ll get out what you put in.