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Production and Music Theory

Course Curriculum

The Advanced Diploma in Music Production and Sound Engineering is an intensive one year programme that is taught across 48 weeks. The course is then divided into three terms, with each term building on the knowledge and skills you learnt in the previous term.

Using our progressive continuous learning method each module will cover historical and theoretical content alongside practical and technical skills so you develop a rounded knowledge and skill set within each area.

The breadth of the course means that alongside learning what equipment, techniques and microphones to use you also learn why you use them. This will help you develop your own expertise and understanding of how to create different sounds and effects.

Subject Areas

Within the diploma, we cover all of the following subject areas: Acoustics, Computer, Copyright and Legal issues, Digital Audio Technology, Electronics and Analogue Equipment, General Business (Publishing & Marketing), Management Skills, Mastering, Microphones, Mixing and Critical Listening, Music Theory and Production, Production, Recording, Sound Theory, Studio Equipment and Signal Processing, Studio Etiquette and Musicianship.

Below you can browse through the three terms and see the breakdown of modules for each term.

Production and Music Theory

These are the learning outcomes for this subject area.

You will be able to:

• Understand the aims and process of composition and arrangement-related aural analysis
• Understand the structure and orchestration of music productions
• Understand the purpose and application of sound engineering-related critical listening
• Analyse musical material in regards to genre and instrumentation
• Ascertain the overall characteristics of individual elements (instruments) of a music production
• Map out music productions in sections
• Assess the role of instruments within a production (arrangement)
• Appraise level and spectral balance, stereo image and dynamic range of recordings
• Equate the qualities of ‘observed’ and ‘reference’ recordings and determine possible strategies to narrow the differences.

An inspiring and incredibly well designed course that gave me the best musical education I could have dreamt of. Life-altering.

David Dargahi, Alumni

The curriculum is fantastic, extremely comprehensive, contemporary and relevant to today’s industry.

Andrea Mastroiacovo, Alumni

It's impossible to graduate from Abbey Road Institute without growing as an engineer, musician, creative professional and most importantly... as a human being.

Ryan Zweng, Alumni

The course taught me what it means to be a producer and engineer in the industry, I learned things I couldn’t have learned anywhere else.

Marta Di Nozzi, Alumni

The Abbey Road Institute helped me to unlock my musical potential.

Cory Lawrence, Alumni

There is some real visionary foresight in Abbey Road Institute being established to preserve the cultural legacy of Abbey Road.

Youth (Paul McCartney, The Verve, Killing Joke)