Production and Music Theory
The Advanced Diploma in Music Production and Sound Engineering is an intensive one year programme that is taught across 48 weeks. The course is then divided into three terms, with each term building on the knowledge and skills you learnt in the previous term.
Using our progressive continuous learning method each module will cover historical and theoretical content alongside practical and technical skills so you develop a rounded knowledge and skill set within each area.
The breadth of the course means that alongside learning what equipment, techniques and microphones to use you also learn why you use them. This will help you develop your own expertise and understanding of how to create different sounds and effects.
Subject Areas
Within the diploma, we cover all of the following subject areas: Acoustics, Computer, Copyright and Legal issues, Digital Audio Technology, Electronics and Analogue Equipment, General Business (Publishing & Marketing), Management Skills, Mastering, Microphones, Mixing and Critical Listening, Music Theory and Production, Production, Recording, Sound Theory, Studio Equipment and Signal Processing, Studio Etiquette and Musicianship.
Below you can browse through the three terms and see the breakdown of modules for each term.
Production and Music Theory
These are the learning outcomes for this subject area.
You will be able to:
• Understand the underlying principles of music theory, including basic harmony
• Understand the fundamentals of arranging
• Understand the basic requirements of studio recording sessions
• Use traditional music-related jargon
• Interpret rhythm-related music notation symbols
• Interpret pitch-related music notation information
• Analyse simple diatonic compositions
• Analyse diatonic compositions with instances of modal interchange
• Categorise instruments according to ‘family’ (strings, woodwind, brass and percussion)
• Create four-part string, woodwind and brass parts for ‘pop’ songs
• Outline the necessary steps to set up a small live room for a recording session
• Outline the necessary steps to set up a control room for a recording session
An inspiring and incredibly well designed course that gave me the best musical education I could have dreamt of. Life-altering.
David Dargahi, Alumni
The curriculum is fantastic, extremely comprehensive, contemporary and relevant to today’s industry.
Andrea Mastroiacovo, Alumni
This course has helped to develop me into a well rounded producer, engineer, and musician. It has helped open doors to career opportunities that I would otherwise not have had access to. I would not be where I am today if it wasn’t for the fantastic team, course, and resources available at Abbey Road Institute London!
Yvan Chambers, Alumni
The course taught me what it means to be a producer and engineer in the industry, I learned things I couldn’t have learned anywhere else.
Marta Di Nozzi, Alumni
Abbey Road Institute trains you to deliver high quality work that matches industry standards.
Martí Canales, Alumni
I had an incredible experience. The staff have so much to offer and cover so many different areas of music.
Luke Glazewski, Alumni
The Abbey Road Institute helped me to unlock my musical potential.
Cory Lawrence, Alumni
Applying for the diploma was the best thing I could have done for my career. I'm really amazed at how much I learnt in one year.
Lizzie Arnold, Alumni
There is some real visionary foresight in Abbey Road Institute being established to preserve the cultural legacy of Abbey Road.
Youth (Paul McCartney, The Verve, Killing Joke)
It’s a unique experience in so many ways, the location, the calibre of guest lecturers and access to Abbey Road Studios for classes is pretty amazing. There aren't many places you get to record a full orchestra!
Jason O’Bryan, Lecturer
Come with an open mind and a voracious appetite to soak up the magic! Be prepared to work hard - you’ll get out what you put in.